Eli Roth’s The Green Inferno (2013) is a modern homage to the Italian cannibal exploitation films of the 1970s and 1980s, specifically Ruggero Deodato’s infamous Cannibal Holocaust (1980). While it serves as a "love letter" to this gritty sub-genre, the film also attempts a satirical critique of contemporary "slacktivism" and the often-misguided "white savior" complex. Summary and Narrative Structure
