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: Directing under Steno, the film is praised for its seamless "trickery" in scenes where multiple characters played by Totò appear on screen simultaneously, which was technically impressive for its time. Where to Read More
While there isn't a single widely circulated academic "paper" dedicated solely to Totò diabolicus (1962), the film is a significant subject of study in Italian cinema history. It is frequently analyzed as a masterpiece of black comedy and a prime example of the comedic virtuosity of Totò, who plays six different roles. TotГІ diabolicus (1962)
: Critics often highlight the film as a dual parody. It mocks both the "giallo" (Italian mystery/thriller) genre and the popular noir comic book series Diabolik , which debuted the same year. : Directing under Steno, the film is praised