: Edward S. Casey describes edges and frames not as literal limits where activity stops, but as structures that "shelter and support" the image, opening up possibilities for it to emerge.
: This concept, developed by Paul Crowther in his work Phenomenology of the Visual Arts (even the frame) , refers to the set of perceptual factors that inform our basic cognition of the world, which visual art uniquely captures and aligns. The Phenomenology of the Frame Phenomenology of the visual arts (even the frame)
: The presence of a frame can express a subtle "self-awareness" of the artwork's own existence as a created object rather than a direct window into reality. : Edward S
: Far from just excluding what is outside, the frame can give the internal image a "special energy" in spatial and temporal dimensions that it would otherwise lack. August 2025 - Maya Decipherment The Phenomenology of the Frame : The presence