While the original version features a full vocal delivery from Littleton Brown and Kim Armstrong , the Underground Mix strips these back to their essence, using them as rhythmic textures rather than a traditional song structure.
The is a cornerstone of the late 90s deep house movement, specifically bridging the gap between New York’s soulful garage scene and the darker, more atmospheric sounds rising from the UK. Production Context Mateo & Matos - The Real Thing (Kot Underground Mix)
Released on the influential Glasgow Underground (GU42) in May 1999. While the original version features a full vocal
Discogs is not responsible for the accuracy, legality, or content of external sites or for that of subsequent links. Edit. Mateo & Mateo & Matos – The Real Thing - Discogs Discogs is not responsible for the accuracy, legality,
A standout feature of this specific remix is its heavy, rolling bassline, which critics note borrows the iconic feel of KC Flightt’s "Let’s Get Jazzy".
It operates at a steady 126 BPM , blending live-sounding instrumentation (guitars by Duane Potts, bass by Andrew Potts) with the raw, repetitive electronic elements that define the "underground" moniker. Reception & Legacy Mateo & Matos – The Real Thing - Discogs