God Forgives... I Don't!(1967) May 2026
While some critics found the pacing slow, the film is widely regarded as a "second-tier" classic of the genre—meaning it’s better than the average cash-in, even if it doesn't quite hit the heights of The Good, the Bad and the Ugly . It is the first chapter in Colizzi’s , followed by Ace High and Boot Hill . Go to product viewer dialog for this item. God Forgives I Don't (dvd)
: Hill plays Cat as a cool, Clint Eastwood-esque anti-hero rather than the playful trickster he’d become later. Spencer’s Hutch is more of a stoic brute-force investigator than a grumpy-but-lovable giant.
: It features torture, ruthless double-crosses, and a bleak atmosphere heavily influenced by the works of Sergio Leone. God Forgives... I Don't!(1967)
When (Spencer), an investigator for the insurance company, realizes San Antonio is actually alive and sitting on a fortune in stolen gold, he tracks down Cat. The two form a reluctant, often tense partnership to find the hidden loot and settle old scores. Gritty Atmosphere vs. Slapstick Comedy
Directed by Giuseppe Colizzi, this film isn't just another entry in the genre; it is the somber foundation upon which one of cinema's most beloved duos was built. A Partnership Born from a Broken Foot While some critics found the pacing slow, the
The history of this film is famously shaped by a stroke of luck—or bad luck, depending on who you ask. Originally, the lead role of Cat Stevens was cast with Peter Martell. However, Martell broke his foot at the start of production. Desperate for a replacement, Colizzi hired Terence Hill , marking the very first time Hill and Spencer would appear as a lead duo.
: Instead of comedic fistfights, we get tense poker games and lethal quick-draw duels. Why It Still Matters God Forgives I Don't (dvd) : Hill plays
If you mention the names and Bud Spencer , most fans immediately think of slapstick brawls, bean-eating contests, and the lighthearted charm of the Trinity films. But before the comedy became their trademark, they shared a much darker, grittier screen debut in the 1967 Spaghetti Western classic, " God Forgives... I Don’t! " ( Dio perdona... io no! ).